Showing posts with label art prints. Show all posts
Showing posts with label art prints. Show all posts

Frameworks Posters By Moxy Creative Celebrate Famous Eyeglass Frames.





Framegeek.com, a blog about Men's eyewear, sunglasses and glasses, has just issued a series of posters celebrating 'Eyewear Made Famous' by Moxy Creative.

The collection consists of six different aesthetically pleasing graphic art posters. Five of the posters each feature one iconic outline of recognizable eyewear frames on the subdued colored silhouettes of Andy Warhol, Johnny Depp, Mahatma Ghandi, Kanye West, and Yves Saint Laurent respectively. The sixth poster is a compilation of iconic white frames with call-outs beneath each of the face to whom the glasses belong.

The Warhol's:

The Depp's:

The Ghandi's:

The Ye's:

The YSL's:

The Frameworks poster:


01. Woody Allen 02. Kanye West 03. Buddy Holly 04. Michael Caine 05. Kurt Cobain 06. John Lennon 07. Geordi LaForge 08. Malcolm X 09. Johnny Depp 10. Dame Edna 11.Stephen Colbert 12. The Blues Brothers 13. Austin Powers 14. Yves Saint Laurent 15. Elton John 16. George Costanza 17. Bootsy Collins 18. Elvis Costello 19. Terry Richardson 20. David Hockney 21. DMC of Run DMC 22. Andy Warhol 23. Mohandas Ghandi 24. Steve Urkel 25. Napoleon Dynamite 26. Clark Kent 27. Shock G of Digital Underground 28. Truman Capote


Each of the six 11.75" x 15.5" prints costs $30 and is limited to a run of 50.
Buy them here.

Who's The Man? Artist Rudy de Belgeonne, That's Who.





Who’s the Man is an epic installation of a thousand individual hand-painted panels with words used to describe and define ‘man’ by artist Rudy de Belgeonne. The installation will form the centerpiece of an exhibition which opens at London's The Future Gallery in June 2010.



'Every type of man you’ve ever been called, ever felt like, ever known’

Inspired by all the weird and wonderful names he’s been called over the years, Rudy plays with the ever-changing identity and categorisation of the modern man by creating definitions of masculinity packaged as products, as each word becomes a logo in glossy seductive enamel colours: Hero, God, King, Scoundrel, Rogue, Brute, Bad Boy, Love God, Fancy Dan, Mama Man, Sonofabitch, Sonofagun, Bloke, Joe Schmoe, Golden Boy, Nancy Boy…and on and on…




Five years in the making, Who’s the Man is a series of 1000 typographic works painted in beautiful shiny signwriter’s enamel on wooden panels. The installation of 1000 original paintings will be exhibited alongside limited edition sets of different sub-groups – Good Guys, Bad Guys, Gay Guys, Insults, movie references and so on.


above: SwineFiendDevilBrute, 1118mm x 840mm, Giclee print, edition of 25

Presented in this way each word becomes a logo, advertising a response to the ever-changing male identity, defined by morality, sexuality and the body. Using seductively glossy colours, each word is painted in a style that reflects its meaning – either literal or subconscious – referencing our language, typography, brands and visual culture.


above left: Superman Lover, 840mm x 1118mm special edition of 10, hand-painted giclee w 23ct gold leaf
above right: BAM-GRD, 840mm x 1118mm, Giclee, edition of 25

On the simplest level, Who’s the Man is an encyclopaedic and decorative texture of emotionally resonant colours and designs, but the playful placement of each panel reads left to right, top to bottom as a witty poem or narrative, where word associations throw up questions in the mind of the viewer about their own attitudes and expectations of masculinity.


above left: 16 Big Shots, 1626mm x 1118mm, Giclee print, edition of 25
above right: Space Cowboy Gangster of Love

The entire work (5m x 4m) will be accompanied by a limited-edition series of hand re-touched prints of each of the various subsets.

There will be an opportunity to purchase limited edition pieces at the exhibition: on sale will be the 1,000-panelled installation and a series of hand re-touched giclee prints in limited editions of 10. Visitors may also request a special commission by Rudy de Belgeonne on wooden panels.


above: 16 Lovermen, 700mm x 500mm, hand painted, enamel on wood, edition of 10

Exhibition details:
Thursday 3 – Tuesday 8 June 2010
10.00 – 18.30

The Future Gallery
5 Newport Street, London WC2H 7HY
T: +44 (0)20 3301 4727

Sponsored by:
Pearl and Coutts, quality residential and commercial property lettings in London
Courvoisier The Future 500, an exclusive network of 800 rising stars across the UK



About the artist:
Rudy de Belgeonne is a Slade-trained artist who’s fascination with puzzles and gameplay led him to work for many years new media as an interactive games designer. In addition to his painting, Rudy has worked on a wide range of projects – both personal and professional – that occupy the space where art & technology meet. He lives and works in London.

all images and info courtesy of the artist and gallery

Who's The Man? Artist Rudy de Belgeonne, That's Who.





Who’s the Man is an epic installation of a thousand individual hand-painted panels with words used to describe and define ‘man’ by artist Rudy de Belgeonne. The installation will form the centerpiece of an exhibition which opens at London's The Future Gallery in June 2010.



'Every type of man you’ve ever been called, ever felt like, ever known’

Inspired by all the weird and wonderful names he’s been called over the years, Rudy plays with the ever-changing identity and categorisation of the modern man by creating definitions of masculinity packaged as products, as each word becomes a logo in glossy seductive enamel colours: Hero, God, King, Scoundrel, Rogue, Brute, Bad Boy, Love God, Fancy Dan, Mama Man, Sonofabitch, Sonofagun, Bloke, Joe Schmoe, Golden Boy, Nancy Boy…and on and on…




Five years in the making, Who’s the Man is a series of 1000 typographic works painted in beautiful shiny signwriter’s enamel on wooden panels. The installation of 1000 original paintings will be exhibited alongside limited edition sets of different sub-groups – Good Guys, Bad Guys, Gay Guys, Insults, movie references and so on.


above: SwineFiendDevilBrute, 1118mm x 840mm, Giclee print, edition of 25

Presented in this way each word becomes a logo, advertising a response to the ever-changing male identity, defined by morality, sexuality and the body. Using seductively glossy colours, each word is painted in a style that reflects its meaning – either literal or subconscious – referencing our language, typography, brands and visual culture.


above left: Superman Lover, 840mm x 1118mm special edition of 10, hand-painted giclee w 23ct gold leaf
above right: BAM-GRD, 840mm x 1118mm, Giclee, edition of 25

On the simplest level, Who’s the Man is an encyclopaedic and decorative texture of emotionally resonant colours and designs, but the playful placement of each panel reads left to right, top to bottom as a witty poem or narrative, where word associations throw up questions in the mind of the viewer about their own attitudes and expectations of masculinity.


above left: 16 Big Shots, 1626mm x 1118mm, Giclee print, edition of 25
above right: Space Cowboy Gangster of Love

The entire work (5m x 4m) will be accompanied by a limited-edition series of hand re-touched prints of each of the various subsets.

There will be an opportunity to purchase limited edition pieces at the exhibition: on sale will be the 1,000-panelled installation and a series of hand re-touched giclee prints in limited editions of 10. Visitors may also request a special commission by Rudy de Belgeonne on wooden panels.


above: 16 Lovermen, 700mm x 500mm, hand painted, enamel on wood, edition of 10

Exhibition details:
Thursday 3 – Tuesday 8 June 2010
10.00 – 18.30

The Future Gallery
5 Newport Street, London WC2H 7HY
T: +44 (0)20 3301 4727

Sponsored by:
Pearl and Coutts, quality residential and commercial property lettings in London
Courvoisier The Future 500, an exclusive network of 800 rising stars across the UK



About the artist:
Rudy de Belgeonne is a Slade-trained artist who’s fascination with puzzles and gameplay led him to work for many years new media as an interactive games designer. In addition to his painting, Rudy has worked on a wide range of projects – both personal and professional – that occupy the space where art & technology meet. He lives and works in London.

all images and info courtesy of the artist and gallery

Beautiful Losers Boxed Catalog of Original Street Art & Urban Artifacts



Beautiful Losers is an exhibition of multi-media art and design that explores the recent work of a diverse group of visual artists that have emerged from the subcultures of skateboarding, graffiti, punk, and hip hop in U.S. urban centers.

The core of the project involves painting, sculpture, and photography, as well as film, video, performance, and product design by more than thirty individuals who have emerged in the last decade--some now established figures in the art world, but many receiving their first broad exposure via these projects.

Below are images from a boxed edition of the catalog that include signed original silkscreen prints, photographs, objects, vinyl toys, flip books, dvds..... even Terry Richardson glasses.



The limited edition Beautiful Losers boxed catalog includes the following works:


above: Mike Mills - The Architecture Of Reassurance, offset printed book, approx. 6 x 4 inches, open edition

above: Cheryl Dunn - C-4, San Francisco, Tenderloin Hallway, c-print, 6 x 4 inches, printed and signed by the artist, edition of 100 [featured in the Beautiful Losers catalog]

above: Evan Hecox - Chinatown NYC, woodblock print on Japanese rice paper, 10 x 8 inches, printed and signed by the artist, numbered edition of 100

above: Harmony Korine & Mark Gonzales - Adulthood, hand photocopied zine, approx. 8 x 5 inches, edition of 100

above: Tobin Yelland - Untitled, offset printed poster, 16 x 20 inches, signed edition of 100 [featured in the Beautiful Losers catalog]

above: Cynthia Connolly - Page, Arizona [from the portfolio Ice Machines featured in the Beautiful Losers exhibition], silver gelatin print, 4 x 6 inches, printed and signed by the artist, edition of 100

above: Rostarr - Untitled, silkscreen and spray enamel on paper, 11 x 13 inches, hand-painted, printed, and signed by the artist, numbered edition of 100

above: Ryan McGinness - Multiverse Sticker Pack, various stickers in custom package, approx. 5 x 5 inches, signed and numbered edition of 100

above: Ari Marcopoulos - I Might Be Wrong, offset printed zine, approx. 8 x 5 inches

above: Jo Jackson - States [5 different versions], approx, 2.5 x 3.5 inches, handmade flip book

above: Shepard Fairey - Untitled, silkscreen on paper, 10 x 8 inches, printed and signed by the artist, numbered edition of 100

above: James Jarvis - The Thin Blue Line, action figure, approx. 6 x 3.5 inches, signed edition of 100

above: Todd James - Alive With Pleasure, silkscreen on paper, 7 x 5 inches, numbered edition of 100

above: Phil Frost - Poster Marker, custom refillable ink marker, approx. 5 x 1 inches, open edition

above: Andy Jenkins - Untitled, 100 unique inkjet prints on paper, approx. 11 x 9 inches, signed by the artist, edition of 100

above: Chris Johanson - Love Not War, set of 8 buttons pinned to numbered placard, 4 x 7 inches, numbered edition of 100

above: Geoff McFetridge - Kemistry, 1 of 100 original pencil drawings on canson acid free paper with DVD of the complete animated sequence of the 100 drawings in custom packaging, 9 x12 inches, signed edition of 100


above: Barry McGee - Untitled, marker on various sticker papers, dimensions variable, signed by the artist

above: Steve Powers - Handy Signs, custom die cut vinyl sticker sheet, approx. 15 x 8 inches, edition of 100

above: Terry Richardson - Smilen glasses, pair of authentic Terry Richardson eyeglasses, approx. 3 x 8 x 3 inches

above: Craig R. Stecyk III - Untitled, 100 unique silver gelatin prints with silkscreen, 4 x 6 inches, printed and signed by the artist, edition of 100

above: Ed Templeton - Chris Johanson, Beautiful Losers, silver gelatin print, 8 x 10 inches, numbered edition of 100

above: Clare E. Rojas - Faint Humms, limited edition compact disk, approx. 5 x 6 inches

above: Mark Gonzales - Krooked Authentico, limited edition air freshener, approx. 6 x 3 inches

above: Thomas Campbell - T. Moe Wallet, limited edition Paul Frank wallet, approx. 4 x 4 inches

Below are images as to how the works are packaged in the crate:





and yes, it includes the catalog from the exhibit:

Approx 22 x 18 x 9 inches, Numbered edition of 100

The Beautiful Losers Catalog [Boxed Edition], 2006
Custom slipcased First Edition / First Printing catalog packaged in custom military grade wood box with limited editions and original works of art by the Beautiful Losers artists.
Approx 22 x 18 x 9 inches, Numbered edition of 100. $1,500.00
Buy it here.

About the Exhibit:
The exhibition also includes a concise overview of the work of a previous generation of artists who have had a direct influence on the aesthetic development of the artists in question; an environmental soundscape that traces the relationship between these subcultures and various genres of popular music; a selection of ephemeral materials (album covers, skateboard decks, toys, zines, etc.) produced in or related to this milieu; and a film and video program to be screened within the exhibition itself.

The exhibition is conceived and curated by Christian Strike and Aaron Rose of Iconoclast. Beautiful Losers opened in Cincinnati at the Contemporary Arts Center in March 2004 and then traveled to San Francisco’s Yerba Buena Center for the Arts in July of 2004. The exhibit will make stops at the Orange County Museum of Art and The Contemporary in Baltimore in 2005, and then travel to Europe in 2006 and Asia and Australia in 2007.


A fully illustrated 272-page catalogue published by Iconoclast accompanies the exhibition:



Over 250 pages of documenting a rising movement of artists across the world.
Hardcover, 8.5 x 11 in./272 pgs
Buy it here.

You can purchase several individual pieces by the artists mentioned above and many others, as well as do a virtual 'walkthrough' of the exhibit here.

Beautiful Losers has their own site here.

About Iconoclast:
Iconoclast Editions is a project-based studio working in collaboration with artists to produce a wide variety of multi-media endeavors. Iconoclast produces exhibitions, publications, and artist editions. Since 2002, Iconoclast has produced a multitude of exhibitions, books, editions and other projects including the widely acclaimed touring museum exhibition, Beautiful Losers.

information@iconoclastusa.com